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Mr. Kitty is part of De Beer's Hans und Grete, the artist's latest large-scale two-channel video installation. Stephen Hilger writes of the project, "In Hans und Grete, fictional acts of terror are presented through the lens of teenage pop culture obsession. The video brims with allusions to those subcultures in which youth movements are especially fluent: horror movies, video games, psychedelic rock, metal and goth." The set pieces' hand-made quality is a typical example of the artist's use of stylistic fakery, which she uses to portray the often-violent interior world of the American teen, to great effect.
Mr. Kitty becomes a character in itself when it is blown up to gigantic size and placed in the room in which the audience watches Hans und Grete. Its co-stars are the other stuffed animals pulled out of the bedroom sets and also made extra-large. As the viewer sits, sprawls or cuddles with the large pillows and watches the progression of the film, he or she is engulfed even further in the world that De Beer creates. Mr. Kitty becomes a real-life personality, as well as the bedroom prop incorporated into the film's narrative, and another layer of meaning is created; another gap in 'reality' is bridged. The relationship between 'real' and 'fake' is questioned as one sits with Mr. Kitty and studies the film.
De Beer has had numerous national and international exhibitions, including solo shows at the Whitney Museum of American Art at Altria, NY, Kunst Werke, Berlin, and LACE, Los Angeles, CA. She has been included in Been Up So Long It Looks Like Down to Me, Presentation House Gallery, Vancouver, Between Two Deaths, Zentrum fuer Kunst und Medientechnologie, Karlsrhule, Youth of Today, Schrim Kunsthalle, Frankfurt, L’Altro, lo Stesso, Franco Soffiantino Arte Contemporanea, Turin, Greater New York, P.S.1, NY, Zur Vorstellung des Terrors: Die RAF, Kunste Werke, Berlin/Neue Galerie am Landesmuseum Joanneum, Graz, The Whitney Biennial 2004, Whitney Museum of American Art, NY, Working in Brooklyn, Brooklyn Museum, NY, Adolescentes, Reina Sophia Museum, Madrid, Melodrama, ARTIUM, Centro-Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain, Identity Paradox, Austin Museum of Digital Art, TX, Gimme Shelter: New Videos on Suburban Discomfort, Museo Rufino Tamayo, Mexico City, Guide to Trust, Yerba Buena Center, San Francisco, CA, Work In Progress: Selections From the New Museum Collection, New Museum of Contemporary Art, NY, among many others. She has had video screenings at The Museum of Modern Art’s Grammercy Theater, NY, The American Academy in Berlin, The New Museum for Contemporary Art, NY, PBS, WNET, NY, Exit Art, NY, The Brooklyn Museum, NY and VOID, NY. Sue De Beer is represented in New York by the Marianne Boesky Gallery.
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