Editions Fawbush is pleased to announce the publication of Sunday, 1968, a series of sculptural monotypes by Kate Shepherd. Here, the artist continues to explore her relationship between painted sculpture and sculptural painting. Using her preferred materials of wood and enamel paint, Shepherd playfully levitates these objects into the air, giving the viewer the opportunity to experience her choices of color and surface in a circular manner. Each unique mobile shares commonalities with its siblings. All are made from coat hanger wire, enamel paint, wooden balls and sometimes walnuts, in colors that are particular favorites of the artist. Given these elements, which ground the series in the language of editioned work, Shepherd explores what interests her about the challenges of 'sculpture in the round', and the tradition of mobiles in particular. Its title, like the one of her last Fawbush edition -We Were The New Americans- is also conjured from the artist's childhood memories. As is 2008, 1968 was a politically charged election year and it was during that time that Sunday was the designated day she saw her father. The reference to a particular year and an amorphic day of the week parallels the composite qualities of these mobiles.